The impossible demand involves demanding the impossible—studying what freedom educators from Ella Baker to Christopher Emdin do to create a model for restorative justice in education. Love believes, “You can’t have liberation without queerness,” and it is queerness that allows us to push what society says is normal and do the work of freedom dreaming. A radical feminist leadership sees “knowledge as an embodied practice” that is intersectional and anti-oppression. Racism, bigotry, and hate is a triad that only a participatory democracy can defeat. Love invites listeners to join the struggle for freedom.
Intro and interstitial music is by Lance Eric Haugan, with Aviva
and the Flying Penguins.
Outro music is by Paul Myhre, “7 Steps,” available on
Dr. Bettina Love is Associate Professor in the Department of Educational Theory & Practice (Early Childhood, Elementary Education) in the College of Education at the University of Georgia. Love is the creator of “Get Free: Hip Hop Civics Education” [http://getfreehiphopcivics.com/], and is the author of Hip Hop Li’l Sistas Speak: Negotiating Hip Hop Identities and Politics in the New South (Peter Lang, 2012) and We Want to Do More Than Survive: Abolitionist Teaching and the Pursuit of Educational Freedom (Beacon Press, 2019). Lucia and Tina talked with Dr. Love about hip hop education, freedom schools, and breaking the cycles of oppression. Love encourages her teacher education students to take risks and go beyond gimmicks and tricks in teaching. In the current resegregated public schools systems, abolitionist teaching requires creating a culturally-responsive pedagogy in which all students matter.
Dr. Antonia Darder is the Leavey Presidential Endowed Chair in Ethics and Moral Leadership in the School of Education at Loyola Marymount University and Professor Emerita of Educational Policy, Organization, and Leadership at the University of Illinois at Urbana-Champaign, and Distinguished Visiting Faculty at the University of Johannesburg. Prof. Darder spoke with me about what led her to Paulo Freire and critical pedagogy. She stresses the importance of seeing students as co-creators of knowledge in the classroom that is rooted in a deep sense of respect. In countering ethnocentrism in current educational practices, Darder talks about creating counternarratives to neoliberalism.
In Part 2 of this conversation, share with us their strategies for creating open and democratic spaces in the classroom through specific games and other techniques such as storytelling, poetry, and the arts. They share their joy at being surprised at the creative innovation of their students, whether in k-2, university level, or k-12 teachers. In doing so, they share how they bridge the theory and practice divide, value the knowledge of their students, and engage in new meaning-making for a more just world.
Misha Cahnmann-Taylor and Mariana Souto-Manning are “rehearsing for the revolution” (Augusto Boal’s term) in their creative teaching. In Part One of this podcast they share with us their stories of using theatre “as a way to train new teachers, and ourselves,” as well as create democratic spaces in classrooms through “culture circles” (Souto-Manning) and poetry and the arts (Cahnmann-Taylor). Join me in learning from these inventive teachers who are committed to embodied learning and serious play for transformative learning and social change.
Melisa “Misha” Cahnmann-Taylor is Professor of TESOL & World Language Program (TWLE), Dept. of Language & Literacy Education, College of Education, The University of Georgia. Her blog is https://teachersactup.com/
Mariana Souto-Manning is Professor of Early Childhood Education & Teacher Education, Teachers College, Columbia University; Founding Co-director of the Center for Innovation in Teacher Education and Development (CITED).
A Podcast of Radical Musings on Social Justice, Pedagogies for Transformation, and Feminist Activism